Logo weiterlesen.de
Cover zur kostenlosen eBook-Leseprobe von »Branches«

Leseprobe vom

Branches

Book*hug Press


Winner of the 2020 Nelson Ball Prize

Careful attention reveals that, even in moments that seem insignificant, our minds are constantly navigating disjunctions among registers of experience. Our intellect silently reminds our eyes that the car that appears to be moving between leaves is actually behind them and much larger. The sound of the vacuum cleaner in the next room is noise to be ignored. The phrase that arises in mind belongs to a conversation earlier in the day. Clear thinking demands that these navigations remain unconscious. But what if they're meaningful, or productive, in themselves? What if they're necessary to help us find a more meaningful place in the world? Branches explores these questions.

---

"Branches will change you, and for that, at the very least, it deserves your full attention." —Robin Richardson, author of Knife Throwing Through Self-Hypnosis and Sit How You Want

"Mark Truscott's Branches is a unique and assured meditative work, at once ancient and wholly contemporary, a space where Stevens, Ashbery, and Basho might mingle and discover some as-yet unnoticed path. 'There are smooth surfaces it seems one can only buy,' Truscott adroitly observes. Branches is full of lines ready to take root and reward, allowing perception all its richness but also changing and transforming it with a graceful and almost natural pressure. Reader, these poems are the furthest thing from those surfaces." —Jeff Latosik, author of Dreampad

---

Mark Truscott is the author of two previous books of poetry: Said Like Reeds or Things (2004) and Nature (2010), which was shortlisted for the ReLit Award for Poetry. Poems from Branches have appeared in Event, The Walrus and on the Cultural Society website (culturalsociety.org). Truscott was born in Bloomington, Indiana, and grew up in Burlington, ON. He lives in Toronto.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »Reunion«

Leseprobe vom

Reunion

Brick Books


Poems that unfold like liturgy, confronting old violence with a trembling, dignified restraint. Reunion is a parable, an origin story, a cautionary tale. It is also a time machine in which poems commune with ghosts in an attempt both to reckon with and subvert their legacy. It is a tale of the impossible quest for the original, unhurt self. A girlhood is re-inhabited and oddly transformed as the adult becomes ally of her younger self. Young’s writerly range extends through language both candid and stylized, and to forms from ballads to prayer to Biblical sermons. The voice is often interior, but at times it gains a public character—often through the use of religious language and song forms—and we sense that the child’s suffering is in many ways a community failure. The emotional and psychological landscape of these poems seems at once near and far, familiar and strange, uncanny in Freud’s sense. Young has created a distinctive pastoral-gothic hybrid; her daring spirit shapes a collection both deeply generous to and demanding of the reader. As I lay there on the couch / I bargained feebly, / weighing each thing I thought I loved / against the ache. (from “Lamb”)

---

“Each of Deanna Young’s spare, pitch-perfect poems seems to contain a novel. Young weaves in and out of time, playing with perspective, to illuminate experience.... This is a poetry that makes memory sharper, consciousness larger, life longer in all directions.”

---

Deanna Young’s previous books include House Dreams, nominated for the Trillium Book Award for Poetry, the Ottawa Book Award, the Archibald Lampman Award and the ReLit Award, and Drunkard’s Path. Young grew up in southwestern Ontario during the 1970s and ’80s. Reunion, her fourth collection, belongs to that place and time. She now lives in Ottawa, where she works as an editor and teaches poetry privately.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »My Dinosaur«

Leseprobe vom

My Dinosaur

BookThug


There's a real fascination with fathers in Québécoise literature, and this recurring persona populates fiction, films, and the stories people tell of their families and themselves. Thus, it's not surprising that, as he witnessed his own father's growing frailty, François Turcot-one of Quebec's most celebrated young literary voices-would write his own dedication to his vanished father, entitled My Dinosaur. In this, his first collection of poems to be published in English (and translated by renowned poet Erín Moure), Turcot pays tribute not just to the father, but also to the figure of the son, and to writing itself as key to story, emotion, memory, and history.

With luminous and lucid writing, Turcot excavates the fossil gaze of his father in an elated elegy composed of poems both tensed and open, minimalist and talkative, serious and droll, alternating the voice and writings of the father with the fictions and assemblies of the son-reminding us that a man's story can only be told by assembling the shreds and bits that have been accumulated over the course of our lives.

As a prolonged metaphor for the endurance of memory, Turcot's meticulous assembly in My Dinosaur is a tribute to all our Dads.

---

Praise for Mon dinosaure:

"Mon dinosaure offers a strong reading experience, Borgesian in a way, where form, robust and demanding, combines with content both humble and sensitive, hold up in an awareness of the volatility and memory of things." —Sébastien Dulude, Lettres québécoises

"This kind of work is magnificent. Here's a well-constructed book that not only offers itself the pleasure of speaking of the life beyond death, but establishes a dialogue between lost loves." —Hugues Corriveau, Le Devoir

"Assembled using a variety of materials (prose, verse, letters), Mon dinosaure catalogues a sort of Father-constellation, fragmented into several utterances of memories filtered by a type of poetry which weighs up its effects and fears boastfulness more than anything…. More than just a book on the father figure, Mon dinosaure highlights the essential share of fiction that fuels and shapes memory." —Dominique Tardif, Voir

"François Turcot speaks of the death of the father in Mon dinosaure, a singular book that opts for a poetic approach which is both stimulating and original." —Denise Brassard, Voix et images

"Throughout this magnificent collection, we find fragments of memory that bring a father (the author’s) back to life. Oscillating between the shadows and the light, François Turcot presents his lines as though they were archaeological material and reminds us that (hi)story is made of fragments, which can only be told 'shred by shred.' The father has lost his diary he called his 'Book of Hours,' and so that’s what the son will try to piece back together. The result is both disturbing and brilliant." éManon Trépanier, Radio-Canada/La librarie francophone

---

Jacob Wren makes literature, performances and exhibitions. His books include: Unrehearsed Beauty, Families Are Formed Through Copulation, Revenge Fantasies of the Politically Dispossessed and Polyamorous Love Song (a finalist for the 2013 Fence Modern Prize in Prose and one of the Globe and Mail’s 100 best books of 2014). As co-artistic director of Montréal-based interdisciplinary group PME-ART he has co-created the performances: En français comme en anglais, it’s easy to criticize, Individualism Was A Mistake, The DJ Who Gave Too Much Information and Every Song I’ve Ever Written. He travels internationally with alarming frequency and frequently writes about contemporary art.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »Q & A«

Leseprobe vom

Q & A

Book*hug Press


Adrienne Gruber's third full poetry collection, Q & A, is a poetic memoir detailing a first pregnancy, birth and early postpartum period. The poet is both traumatized and transformed by the birth of her daughter. She is compelled by the dark places birth takes her and as she examines and revisits those places, a grotesque history of the treatment of pregnant and birthing women reveals itself.

Praise for Q & A:

"To give birth, to bear life—to release and capture that experience in words: this is the crystalline achievement of Q & A. Gruber's poetry resonates in the hollows of my body, in the fear and hope that accompanies motherhood." —Marianne Apostolides, author of Deep Salt Water

"In Q&A Adrienne Gruber annotates the condition of the pre- and post-partum body, training her ruthless poetic eye on division: cell by cell, mother from daughter, fact from misguided historical tendency. Is this a love poem / or a poem of grief? / When we make something / we lose, she writes. Throughout these poems and their namesake childhood interrogatives, fluids course, sutures tear, ducts leak. Gruber's ability to command the language of sublime physicality draws motherhood's grotesque fears close, turning them over like an infant on a lap, examining perfections and dangers with intimate scrutiny." —Elee Kraljii Gardiner, author of Trauma Head and serpentine loop

---

Adrienne Gruber is the author of three books of poetry, Q & A (Book*hug), Buoyancy Control (BookThug) and This is the Nightmare (Thistledown Press), and five chapbooks. She won The Antigonish Review's Great Blue Heron poetry contest in 2015, SubTerrain's Lush Triumphant poetry contest in 2017 and has been short-listed for the CBC Literary Awards, ARC?s Poem of the Year contest, Descant's Winston Collins Best Canadian Poem contest and Matrix Magazine's Lit POP poetry contest. In 2012, her chapbook, Mimic was awarded the bp Nichol Chapbook Award. Originally from Saskatoon, Adrienne lives in Vancouver with her partner and two daughters.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »What Kind of Man Are You«

Leseprobe vom

What Kind of Man Are You

Brick Books


What does it mean to be a man now? These poems’ answers are bold and deeply moving. The poems in Degan Davis’s debut collection, What Kind Of Man Are You, move between the title’s societal taunt (prove yourself) and its more tender and inquisitive question (how to be a man in this era?). Davis has guts; he trusts the voice of a poem to draw out those truths that in lesser hands might render us mute. The writing navigates the spaces between traditional male archetypes and 21st century possibilities, through the lenses of music, tribes, war, divorce, sex, and love.Davis is both impish and an old soul, and his poems are as comfortable riffing on big topics as they are when he’s maneuvering language with a musician’s cadence. As a result, the work is instantly engaging and thoroughly human. Why read Degan Davis? Because his work is full of joy. Because, to him, poetry matters.

---

“… Rejecting both rhetoric and brute force as supreme, this book lives as equally in the heart as the mind. It’s had a drink or two with Lowell, Bly, and Carver. It's found a church of sorts in jazz and blues. As readers, we find ourselves witnessing this sensitive exploration during an historical moment in which What Kind of Man Are You may emerge as one of the most urgent questions.”

---

“If you could strip us of our insolent and taciturn practices, deny us our drunken and garrulous escapes, and encourage our tongues to talk the truth, these are some of the things men might say about what, and how, they feel.”

---

Degan Davis spent his childhood in Mattawa, Ontario, at the confluence of two rivers. He works as a Gestalt Therapist, both in a university setting and in private practice. Degan's poetry and non-fiction have appeared in such places as The Globe and Mail, The Malahat Review, Riddle Fence, and The New Quarterly. He is currently working on a collection of essays about masculinity, femininity, and how to be a good man in this era. He lived for many years in St. John’s and now lives in Toronto.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »their biography«

Leseprobe vom

their biography

BookThug


Would it be possible to compose a book that appears to be "about" its author, but is indirectly about something else, like identity or relationships or language? Maybe a book not written by a hero... but by many?

This was the challenge taken up by Kevin McPherson Eckhoff in his fourth book, their biography: an organism of relationships. This collaborative memoir collages together word-portraits from friends, family, coworkers, strangers, robots, and even adversaries in order to create a silhouette of not a single person, but of the manacles that connect people to one another.

their biography is meant to make people think—it's broad array of voices and poetic/prosaic forms disturbs comfortable patterns of reading, and its subject is as much about the contributors as the author. Eclectic and desolate, confessional and dubious, this record of relationships defies authorship, biography, and individualism.

Fans of Gregory Betts's "Facebook Poem Project" or Rachel Zolf's Tolerance Project, along with anyone compelled by contemporary poetry and conceptual art, will connect with this pixelated investigation into identity, and the true meaning of 'self' as we and others define it.

---

Praise for Kevin McPherson Eckhoff's Rhapsodomancy

"A feast for the eyes."—Broken Pencil

"Rhapsodomancy is simply great fun. And perhaps a lesson in alphabetical hubris.— Eclectic Ruckus

"A noteworthy example of Canadian visual poetry, easily joining the ranks of bpNichol."—The Mark

---

kevin mcpherson eckhoff’s poetry has been described as having "purity, clarity, and intensity of emotion" while "[undermining] our common sense of language." Recent work appears in the anthologies Why Poetry Sucks and TAG: Canadian Poets at Play, and he co-edited the final issue of Open Letter with his best friend, Jake Kennedy. As the managing editor at Kalamalka Press, he runs the John Lent Poetry-Prose Award, a letterpress chapbook competition for emerging writers. For eight months of the year, he teaches at Okanagan College, and for the remaining four, he hides out at the Shuswap River or Starlight Drive-in or Rose Mountain with his Laurel and Lionheart. Connect with Kevin on his website, http://kevinmcphersoneckhoff.com/, or on Facebook at https://www.facebook.com/kevinmcphersoneckhoff.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »Precious Energy«

Leseprobe vom

Precious Energy

BookThug


Precious Energy, the fourth collection of poetry from Hamilton-born poet and playwright Shannon Bramer, is a uniquely playful collection of vibrantly sad, peculiar, and often funny poems about domestic life, motherhood, and the baffled child that remains within us all even as we grow up and into whatever person we keep trying to become. Featuring a coterie of subjects, from fish sticks and LEGO pieces to mothers too tired to have sex and solitary swans in everyone's basement, these poems dexterously navigate a landscape of domestic isolation, insecure attachments, and confused personal boundaries with honesty and unexpected humour.

---

Priase for Precious Energy:

"Shannon Bramer writes with a candor that is as clever as it is devastating. Through masterfully crafted studies of the everyday, Bramer transcends, in the manner of Lydia Davis, drawing the domestic into utter sublimity." —Robin Richardson, author of Knife Throwing Through Self-Hypnosis

"With this collection Bramer has redeemed modern poetry. Precious Energy is a must for anyone who has ever had their clothes drenched in a child's vomit, seen their cell phone as the enemy, momentarily failed to recognize their lover or wondered what the point of all this is." —Andrew Kaufman, author of All My Friends are Superheroes and Small Claims

---

Poet and playwright Shannon Bramer lives in Toronto. Previous collections of poetry include: suitcases and other poems (winner of the 2000 Hamilton and Region Best Book Award), scarf, and The Refrigerator Memory. She has also published chapbooks with above/ground press and BookThug, and regularly conducts poetry workshops for students of all ages. An illustrated collection of poems for very young children is forthcoming from Groundwood Books in the spring of 2019. Precious Energy is her first full-length collection in over a decade.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »Yellow Crane«

Leseprobe vom

Yellow Crane

Brick Books


Inviting, human, capacious poems that grapple with ideas while also lightly grieving our capacity for ruin. Yellow Crane, Susan Gillis’s fourth collection of poetry, is a book of many views, many voices. A long look at the changing landscape of a Montreal neighbourhood becomes at once a lament and a love poem. A sequence of poems inspired by Japanese tanka take on the cultural weather, core-drilling into the contradictions and uncertainties of the everyday. Writers, artists, thinkers, cooks, and others congregate in a hammock on the edge of a hayfield to compare notes on what we value. A bear turns up on a path near a quarry. The poems of Yellow Crane study, with a lover’s tender yet critical eye, the world we occupy and the way we occupy it: art, industry, environments both built and natural; the simultaneous flux and agelessness of our daily habits; the long human story of appropriation of wilderness; the fragility, resilience, and questionable worth of what we make, especially under political, economic, and social pressures; concern about our changing times; grief over what we leave behind. This is a book that argues with itself, then rests. At once precise and loose, wise and nimble, it will make you both feel and think—and care about the world along with it. We know the tree stands for promise / and for the desire, which comes much later, for atonement. / We stand at the west-facing window / and let the buildings opposite turn gold, then back to brick. / (from “Morning Light”)

---

Susan Gillis is a Montreal-based poet, teacher, and editor who has also lived on the Atlantic and Pacific coasts of Canada. A member of the collective Yoko’s Dogs, she is the author of Swimming Among the Ruins (Signature Editions, 2000), Volta (Signature Editions, 2002), which won the A. M. Klein Prize for Poetry, The Rapids (Brick Books, 2012), Whisk (with Yoko’s Dogs, Pedlar Press, 2013), and several chapbooks with Gaspereau Press. Susan spends a lot of time in rural Ontario, near Perth, where she does most of her writing.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »It Begins With The Body«

Leseprobe vom

It Begins With The Body

BookThug


It Begins With The Body by Hana Shafi explores the milestones and hurdles of a brown girl coming into her own. Shafi's poems display a raw and frank intimacy and address anxiety, unemployment, heartbreak, relationships, identity, and faith.

Accompanied by Shafi's candid illustrations that share the same delightful mixture of grotesque and humour found in her poems, It Begins With The Body navigates the highs and lows of youth. It is about feeling like an outsider, and reconciling with pain and awkwardness. It's about arguing with your mum about wanting to wax off your unibrow to the first time you threw up in a bar in your twenties, and everything in between. Funny and raw, personal and honest, Shafi's exciting debut is about finding the right words you wished you had found when you needed them the most.

---

Praise for It Begins With The Body:

"Hana Shafi's work is a sigh of relief for the queer Muslim brown kid I was, and the queer Muslim brown adult I know am. It's the act of visibility, of being seen through the words on a page that are so life affirming. I feel grateful that I’m of a time where art like this is being made. It’s relatable, it’s a delight." —Fariha Róisín, co-host of Two Brown Girls, a podcast

br>'This book is the anthem of my youth." —Alysha Brilla, Juno Award nominated musician and songwriter

'In It Begins With The Body, Hana Shafi writes with a powerful and devastating honesty about the things women are told they ought not talk about. From body hair and financial angst to heartbreak and self-doubt, Shafi examines all the expectations society places on women—and pushes back against these outrages with a voice that is both vulnerable and damning. A brilliant and incisive book, full of rage and love in all the places where you need it to be." —Lauren McKeon, author of F-Bomb, Dispatches from the War on Feminism

---

Hana Shafi is a writer and artist who illustrates under the name Frizz Kid. Both her visual art and writing frequently explore themes such as feminism, body politics, racism, and pop culture with an affinity to horror. A graduate of Ryerson University's Journalism Program, she has published articles in publications such as The Walrus, Hazlitt, This Magazine, Torontoist, Huffington Post, and has been featured on Buzzfeed India, Buzzfeed Canada, CBC, Flare Magazine, Mashable, and Shameless. Known on Instagram for her weekly affirmation series, she is also the recipient of the Women Who Inspire Award, from the Canadian Council for Muslim Women. Born in Dubai, Shafi's family immigrated to Mississauga, Ontario in 1996, and she currently lives and works in Toronto. It Begins With The Body is her first book.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen

Cover zur kostenlosen eBook-Leseprobe von »This Will Be Good«

Leseprobe vom

This Will Be Good

Book*hug Press


Mallory Tater's This Will Be Good tells the story of a young woman's burgeoning femininity as it brushes up against an emerging eating disorder. As the difficulties of her disease reveal themselves, they ultimately disrupt family relationships and friendships.

These poems deftly bear witness to the performance of femininity and gender construction to reveal the shrinking mind and body of a girl trying to find her place in the world, and whose overflowing adolescent hope for a future will not subside.

---

"This Will Be Good is a prayer, vicious and sweet. Tater's dexterous language shreds the pink ribbons of nostalgia to remind that girlhood is both 'sugared with fear' and 'diamond-hard.'" --Ad�le Barclay, author of If I Were In a Cage I'd Reach Out For You

"This Will Be Good details the truths of girlhood; how young women treat themselves with cruelty and tenderness, fend off and court desire, and brace themselves for a world that both expects too much of them and yet never enough. These poems unfold as stories girls tell each other as they make space to share, cope, grieve, and hopefully, heal." --Dina Del Bucchia, author of Coping with Emotions and Otters, Blind Items and Don't Tell Me What to Do"

Evocative and tactile as unearthed memory, This Will Be Good follows the history of a family through years, homes, seasons, and bodies. They're death and grief, sex and religion. A reckoning with womanhood, manhood, and memory, these stories have a feeling of being passed down, kept secret, and slipped in notes and gestures between intimates whose closeness is felt on the skin. Press these words to your breast." --Sarah Gerard, author of Binary Star and Sunshine State

---

Mallory Tater is a writer from the traditional, unceded territories of the Algonquin Anishnaabeg Nation (Ottawa). Mallory's poetry and fiction have been published in literary magazines across Canada such as Room, CV2, The Malahat Review, The Fiddlehead, The New Quarterly, Carousel, Prism International and Arc Magazine. She was shortlisted for Arc Magazine's 2015 Poem of The Year Contest, The Malahat Review's 2016 Far Horizon's Contest and Room Magazine's 2016 Fiction and Poetry Prizes. She was the recipient of CV2's 2016 Young Buck Poetry Prize. She is the publisher of Rahila's Ghost Press, a poetry chapbook press slated to release their first print run Fall 2017.

 
Leseprobe lesen
Web-Ansicht
Download
EPUB
Kaufen