Ledi, the second book by Vancouver poet Kim Trainor, describes the excavation of an Iron Age Pazyryk woman from her ice-bound grave in the steppes of Siberia. Along with the woman's carefully preserved body, with its blue tattoos of leopards and griffins, grave goods were also discovered—rosehips and wild garlic, translucent vessels carved from horn, snow-white felt stockings and coriander seeds for burning at death. The archaeologist who discovered her, Natalya Polosmak, called her 'Ledi'—'the Lady'—and it was speculated that she may have held a ceremonial position such as story teller or shaman within her tribe.
Trainor uses this burial site to undertake the emotional excavation of the death of a former lover by suicide. This book-length poem presents a compelling story in the form of an archaeologist's notebook, a collage of journal entries, spare lyric poems, inventories, and images. As the poem relates the discovery of Ledi's gravesite, the narrator attempts simultaneously to reconstruct her own past relationship and the body of her lover.
"Ledi haunts across epochs. It is a raw embrace with the dead. Grappling observer, exquisite witness, and tender participant in excavation, dissection, and summoning, Trainor latches us to the glorious body's artifact and to what persists and to what is subsumed and substantiated after our ritual 'dig': a threnody of ghostly lingerings, ancestral earth and grasses, a Griffin tattoo, decaying traces, and a desert abloom. Ledi is unforgettable." —Sandra Ridley, author of the Griffin Poetry Prize shortlisted collection Silvija