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Better Nature


Much of the language that makes up Better Nature—the first poetry collection by writer and academic Fenn Stewart—is drawn from a diary that Walt Whitman wrote while travelling through Canada at the end of the nineteenth century.

But rather than waxing poetic about the untouched Great White North, Stewart inlays found materials (early settler archives, news stories, email spam, fundraising for environmental NGOs, and more) to present a unique view of Canada's "pioneering" attitude towards "wilderness"—one that considers deeper issues of the settler appropriation of Indigenous lands, the notion of terra nullius, and the strategies and techniques used to produce a "better nature" (that is, one that better serves the nation).


Priase for Better Energy:

"With linguistic fervor, dancing intellect, and blissful urgency Stewart unveils the seemingly everyday horrors of our cruelly optimistic (would be) unsettling lands." —Liz Howard, Griffin Poetry Prize-winning author of Infinite Citizen of the Shaking Tent

" These vibrant, looping poems call on readers to wander through error as Stewart exposes the colonial hankerings that underpin the vocabularies of natural science, of romantic poetry, of the confession. Nobody is off the hook: not reader, not writer. Stewart is a riveting poet unafraid to cut directly to our most urgent mess and to insist that the reader do something about it beyond the page." —Shannon Maguire, author of fur(l) parachute and Myrmurs


Fenn Stewart lives in Vancouver, where she teaches literature, writing, and research. Her poetry has appeared in The Capilano Review, Open Letter, The Arcadia Project, and in the form of three chapbooks, An OK Organ Man (shortlisted for the 2013 bpNichol Chapbook Award), Vegetable Inventory, and from Waltzing. Her research on Canadian culture and literature has appeared in various journals, including ARIEL: A Review of International English Literature and Law, Culture, and the Humanities. Better Nature is Stewart's first book of poetry.

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