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Cover zur kostenlosen eBook-Leseprobe von »Conflict«

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Conflict

BookThug


SHORTLISTED FOR THE 2013 OTTAWA BOOK AWARD

SHORTLISTED FOR THE 2013 ARCHIBALD LAMPMAN AWARD

SHORTLISTED FOR THE 2013 RELIT AWARD

Conflict interweaves ghosts, bad communication, the uncanny and the archival, to create a collection of poems that break down remembrance into abandoned historic markers, jet fuel, keening, or teeth. What you are given (this is a gift) is an insistent refusal to silence or shift. In exchange, the reader must face the impossibility of erasure, a gritty resistance to mourn a fight. Conflict is a collection of red balloons that intersplices and interweaves through various forms of conflict that occur in language, motion, architecture, emotions; between individuals, systems, and mechanical silences.

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Praise for Christine McNair:

"McNair is a one-woman fireworks spectacle."

— Grady Harp via literaryaficionado.com

"McNair takes us through poetry that forms together, while simultaneously breaking free from itself and forcing us to focus on our own loves and limitations."

— Cassie Leigh via greyborders.blogspot.ca

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Christine McNair was born on June 6, 1978, (the sixth day of the sixth month at six-fifty-six.)  She completed a BA (Hons) from Acadia University in Nova Scotia, with a major in English Literature and a minor in Art History.  She also completed a Master's degree in Conservation Studies (Books and Library Materials) at West Dean College in the UK.  Besides being a writer, McNair works full time at the Canadian Conservation Institute in Ottawa, in a special agency of the Department of Heritage, as a book "doctor" or Conservator. Conflict is her first book.

 
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Cover zur kostenlosen eBook-Leseprobe von »Charm«

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Charm

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A charm can protect, inflict or influence.

Charm, the second collection by poet Christine McNair, considers the craftwork of conception from a variety of viewpoints—from pregnancy and motherhood, to how an orchid is pollinated, to overcoming abusive relationships, to the manual artistry of carving a violin bow or marbling endpapers.

Through these works, McNair's poetic line evolves as if moving in a spellbound kaleidoscope, etched with omens, fairytales, intimacy's stickiness, and the mothering body.

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Praise for Charm

"McNair's Charm is unyielding. Replete with precision, elegance and power, an attentive intensity thrives in these poems. She is fearless in her examination of how impermanent objects are treated—of how we ourselves are objects. What lingers is a provocative sensuality, preserved from intimacies, inherent vices, destructive influences, harms, and decay. Her Charm is stunning and alchemical." —Sandra Ridley, author of Silvija and The Counting House

"Christine McNair's Charm is a textile bracelet stitched together with a gasp an echo a tune that will catch at your pumpernickel heart. Jubilantly sample the starched linen and cloth pages as these poems embolden you to bite into its promiscuous orchids and chew on the enchanted, hanked-tone stanzas." —Nicole Markotić, author of whelmed and Bent at the Spine

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Christine McNair is the author of Conflict (BookThug, 2012; finalist for the City of Ottawa Book Award, the Archibald Lampman Award, and the ReLit Award, and shortlisted for the Robert Kroetsch Award for Innovative Poetry) and pleasantries and other misdemeanours (2013; shortlisted for the bpNichol chapbook award). Her work has appeared in Arc Poetry Magazine, CV2, Descant, Poetry is Dead, Prairie Fire, and other places. McNair lives in Ottawa, where she works as a book doctor.

 
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